tag:blogger.com,1999:blog-33625885213761900762024-02-02T10:55:02.662+01:00ANGINA FACTORY'SAngina Factory's Headquarter / collettivo artistico indipendente / attivismo urbano / mostre / performance / arte di sopravvivenza / musica / hackingmanu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.comBlogger106125tag:blogger.com,1999:blog-3362588521376190076.post-21616645739385043352016-11-12T09:30:00.001+01:002016-11-12T19:33:04.304+01:00S.E.M.I. Festival Vigevano<div align="left">
<b><span style="font-family: "courier new" , "courier" , monospace;">Angina Factory's presenta</span></b><br />
<b><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">BOTAN/ICH</span></b><br />
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<b><span style="font-family: "courier new" , "courier" , monospace;">13/11/2016 ore 11.00</span></b><br />
<b><span style="font-family: "courier new" , "courier" , monospace;">Ecomuseo della Roggia Mora</span></b><br />
<b><span style="font-family: "courier new" , "courier" , monospace;">strada Morabassa 34, Vigevano PV</span></b><br />
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<b><span style="font-family: "courier new" , "courier" , monospace;">Angina Factory's sarà presente a S.E.M.I. festival con una performance interattiva.</span></b><br />
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<span style="font-size: large;"><span style="font-family: "courier new" , "courier" , monospace;"><b>A </b></span><b><span style="font-family: "courier new" , "courier" , monospace;">S.E.M.I. festival si parlerà di spreco alimentare, utilizzo dei fanghi in agricoltura, sostenibilità, fertilizzanti alternativi e molti altri temi che a noi di Angina Factory's sono molto cari.</span></b></span><br />
<b><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Non potete mancare, cercate il programma completo del festival!</span></b><br />
<b><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">http://semifestival.it/</span></b><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><i><br />E'fondamentale affrontare i temi legati alla produzione del cibo: ricordiamoci che agricoltori e lavoratori delle aree rurali rappresentano il 75% delle persone che vivono in estrema povertà e l'80% di coloro che soffrono la fame.<br />E' fondamentale parlare di semi: il farmer's privilege viene continuamente ridotto e ai contadini viene impedito di scambiare o vendere semi derivanti dalle varietà protette che spesso sono imposte. Questo significa togliere una risorsa importante a numerose comunità rurali e mina la biodiversità agricola che è a sua volta un elemento cruciale per promuovere la sicurezza alimentare.</i></span><b><span style="font-family: "courier new" , "courier" , monospace;"><br /></span></b>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-2148993604613422802016-04-11T16:49:00.000+02:002016-11-12T20:09:20.207+01:00CALL FOR ARTISTS<div align="left">
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scarabocchi / un altro festival dell'illustrazione / cavallerizza del castello di vigevano / </div>
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domenica 29 maggio / h 14.00- 21.00</div>
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Illustrazioni, fumetti, disegni, tra musica, birra e bella gente.</div>
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I protagonisti dell'arte disegnata e stampata vi aspettano ai loro stand, mentre sul palco 4 coppie di disegnatori si sfideranno in manche eliminatorie di live sketching per poter vincere l'opportunità di esporre in una mostra personale. </div>
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Durante tutta la giornata dj sul palco e area ristoro/bar.</div>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-51663153007715822992016-03-21T12:06:00.000+01:002016-03-23T18:18:03.777+01:00SKETCH CIRCLE<div align="left">
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<b><span style="font-family: "courier new" , "courier" , monospace; font-size: large;"> LIVE SKETCHING</span></b></div>
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<b><span style="font-family: "courier new" , "courier" , monospace; font-size: large;">www.facebook.com/sketchamilano</span></b></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">I NO CHE AIUTANO A CRESCERE</span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><b><span style="color: magenta;">è un contest?</span> no</b></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><b><span style="color: lime;">c'è un tema da seguire?</span> no</b></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><b><span style="color: #666666;">devo prenotare un posto?</span> no</b></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><b><span style="color: yellow;">date voi il materiale, carta, matite?</span> no</b></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><b><span style="color: magenta;">bisogna pagare qualcosa?</span> no</b></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><b>offrite da bere? no</b></span></div>
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<span style="color: #f3f3f3;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-large;"><b><i>Si beve e si disegna free e </i></b></span><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-large;"><b><i>together</i></b></span></span></div>
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<b><span style="font-size: large;"><span class="color_19" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">APPUNTAMENTI:</span></span></b></div>
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<b><span style="font-size: large;"><span class="color_19" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">OSTELLO BELLO</span> - 10 MARZO </span></b></div>
<div class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: georgia, palatino, 'book antiqua', 'palatino linotype', serif; font-stretch: normal; outline: 0px; padding: 0px; vertical-align: baseline;">
<b><span style="font-size: large;"><span class="color_14" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">CUORE</span> - 18 MARZO </span></b></div>
<div class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: georgia, palatino, 'book antiqua', 'palatino linotype', serif; font-stretch: normal; outline: 0px; padding: 0px; vertical-align: baseline;">
<b><span style="font-size: large;"><span class="color_29" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">SANTERIA PALADINI</span> - 7 APRILE </span></b></div>
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<b><span style="font-size: large;">RAL 8022 - 20 APRILE</span></b></div>
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<b><span style="font-size: large;"><span class="color_24" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border-image-outset: initial; border-image-repeat: initial; border-image-slice: initial; border-image-source: initial; border-image-width: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">ORTO BOTANICO DI BRERA</span> - 3 MAGGIO</span></b></div>
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<b><span style="font-size: large;"><span class="color_19" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">CI VEDIAMO DOPO LE 18,30</span></span></b></div>
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<b><span style="font-size: large;">INFO: anginafactorys@libero.it</span></b></div>
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<span style="font-size: large;"><b>PER LE PROSSIME DATE </b></span></div>
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<span style="font-size: large;"><b>SEGUI LA PAGINA SU FB</b></span></div>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-58532214087624512592015-11-08T12:42:00.003+01:002015-11-08T12:42:46.367+01:00link<div align="left">
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<span style="font-family: Verdana, sans-serif; font-size: x-large;">Visita il nostro <a href="http://anginafactorys.wix.com/home" target="_blank">Website</a>, la pagina <a href="https://www.facebook.com/anginafactorysfun" target="_blank">Facebook</a>, e <a href="https://www.flickr.com/photos/107306775@N07/" target="_blank">Flickr</a> con tutti i backstage.</span></div>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-36354069378331131002015-11-08T12:33:00.000+01:002015-11-09T14:15:07.110+01:00ERBA CANTA - Finissage della mostra "Consapevoli tentazioni dell'inconscio" di Arte Il Faro e Ondedurtoarte<div align="left">
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-36770716277657159152015-11-08T12:20:00.002+01:002015-11-08T12:25:56.839+01:00Diari: Social Network Analogici<div style="text-align: left;">
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<span style="font-size: large;"><span style="font-size: x-small;"><span style="font-family: "verdana" , sans-serif;"><span style="color: lime;">Mostra “Diari: social network analogici”</span></span></span></span><br />
<span style="color: lime; font-family: verdana, sans-serif; font-size: large;">A cura di Angina Factory's</span><br />
<span style="color: lime; font-family: verdana, sans-serif; font-size: large;">Dal 15 al 17 ottobre 2015. Biblioteca L. Mastronardi, Vigevano.</span><br />
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<b>Diari “pimpati” degli anni ’90 in mostra per evidenziare il parallelismo tra l’uso social di Smemoranda e i nuovi network di internet, tra foto, testi di canzoni, volantini, commenti, uniposca e tanto scotch.</b></div>
</b><br /></span><br /><br />Prima dell’avvento dei vari MySpace, Facebook e Twitter, il diario era la proiezione di sé, lo strumento su cui mostrare i propri interessi e le proprie idee. A differenza del suo antenato “diario segreto”, l’agenda negli anni novanta divenne luogo di scambio e confronto. I diari passavano di banco in banco, di classe in classe e a volte anche di istituto in istituto. La curiosità nello sfogliare i diari degli altri con il desiderio di lasciare una traccia è paragonabile all’impulso che oggi ci porta a far scorrere il dito sullo schermo dello smartphone in ricerca di status e post sugli altri profili. Quello che oggi si riduce alla condivisione in un click, in analogico comportava l’utilizzo di metri di scotch e colla Pritt. In mostra ci saranno diari “lievitati”, “farciti” con biglietti di treni e concerti, fotografie, adesivi, e molto altro..<br /></span></div>
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<span style="font-family: "verdana" , sans-serif;">Ricordiamoci però anche dello studio pubblicato su Advances in Haptics,che dimostra che scrivere a mano "accende" il nostro cervello molto più che digitare su una tastiera. Scrivendo su carta, gli occhi e i movimenti della mano seguono la creazione della lettera: mentre tracciamo il segno di una "s" vediamo e "sentiamo" formarsi pian piano le curve che la compongono. E questo accende molte più aree cerebrali rispetto al digitare la stessa "s" al computer: in questo caso, infatti, basta premere un tasto ed eccola là sullo schermo, tutta intera.<br />Saranno anche esposte per l’occasione alcune opere del ciclo “90’s ICONS”.<br />Al posto del classico guestbook per il commento dei visitatori ci sarà a disposizione ovviamente un diario su cui dilettarsi con pennarelli e stickers! <br /><br /><br /><br /></span><br />
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<span style="font-family: "verdana" , sans-serif;">La mostra si potrà visitare negli orari di apertura della biblioteca.</span></div>
<div style="text-align: left;">
<span style="font-family: "verdana" , sans-serif;">Giovedì 8.30 – 13.30 14.30-19.00</span></div>
<div style="text-align: left;">
<span style="font-family: "verdana" , sans-serif;">Venerdì 8.30 – 13.30 14.30-23.00</span></div>
<div style="text-align: left;">
<span style="font-family: "verdana" , sans-serif;">Sabato 9.00-13.00</span></div>
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<span style="font-family: "verdana" , sans-serif;">Contatti:</span></div>
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<span style="font-family: "verdana" , sans-serif;">Angina Factory’s anginafactorys@libero.it <a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fanginafactorys.wix.com%2Fhome&h=CAQGoDyqM&enc=AZMftGmOZno8kXbUkXxeTHs20LiF5tmWY00QeBbNVtqDNGF3jQM8rEyszZcTD-L9lQE&s=1">http://anginafactorys.wix.com/home</a></span></div>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-28376476211042635612015-09-29T00:33:00.000+02:002016-02-26T09:39:03.556+01:00Pirate Radio<div align="left">
<span style="font-family: "trebuchet ms" , sans-serif;">Domenica 27 settembre si è inaugurata la mostra </span><span class="cf3 fs24 ff1" style="border: 0px; color: #60bf00; font-family: "trebuchet ms" , sans-serif; font-size: 12pt; line-height: 23px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><b style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Halfandhalf,</b></span><span class="cf1 fs24 ff1" style="border: 0px; font-family: "trebuchet ms" , sans-serif; font-size: 12pt; line-height: 23px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> personale di Gabriella Maldifassi e Giordano Pagliai presso l'</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12pt; line-height: 23px;">Associazione Arte Il Faro in via Cairoli 4 a Vigevano, e per noi è stata l'occasione giusta per una prima uscita con il nostro nuovissimo Rover!</span><br />
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<span style="font-family: Verdana, sans-serif;"><b>P I R A T E R A D I O M O B I L </b></span></div>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-65202053837422036482015-05-12T14:25:00.002+02:002015-05-18T08:47:58.043+02:00ORTICOLI'<div align="left">
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-13578437390215204052015-05-03T13:04:00.000+02:002015-05-12T14:30:08.721+02:0017 maggio 2015<div align="left">
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<span style="font-family: Verdana, sans-serif;">Angina Factory’s ti invita a partecipare a</span></div>
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<b><span style="font-family: Verdana, sans-serif;"><span style="color: lime;">ORTICOLI’ <o:p></o:p></span></span></b><span style="color: lime; font-family: Verdana, sans-serif;"><b>https://www.facebook.com/events/400798396768812/</b></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>Una giornata dedicata all’agricoltura urbana e al cibo visto
come risorsa in un’ottica di riuso e valorizzazione.</b> </span></div>
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<b><span style="font-size: 16.0pt; line-height: 115%;"><span style="font-family: Verdana, sans-serif;"><span style="color: magenta;">ESTEMPORANEA DI PITTURA</span><o:p></o:p></span></span></b></div>
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<span style="font-family: Verdana, sans-serif;">17 maggio 2015 presso il parco Parri a Vigevano</span></div>
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<i><span style="font-family: Verdana, sans-serif;">Durante l’evento si terrà un
workshop durante il quale si potranno osservare vari tipi di coloranti naturali
e le loro reazioni e durante la giornata si creeranno pigmenti colorati che
saranno messi a disposizione dei partecipanti all’estemporanea, inoltre i
visitatori potranno cimentarsi nella semina in vaso di alcune varietà orticole
che poi verranno poste sulle strutture degli orti urbani.<o:p></o:p></span></i></div>
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<i><span style="font-family: Verdana, sans-serif;">Ad Orticolì in concomitanza con
la grande Caccia al Tesoro i concorrenti dovranno superare una prova pratica:
selezionata la frutta o la verdura dovranno preparare dei frullati.<o:p></o:p></span></i></div>
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<i><span style="font-family: Verdana, sans-serif;">Ad Orticolì saranno
utilizzate frutta e verdura donate da negozi e supermercati che metteranno a
disposizione tutti quei prodotti che pur essendo ancora commestibili hanno
perso i requisiti estetici per l’esposizione sullo scaffale.<o:p></o:p></span></i></div>
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<span style="font-family: Verdana, sans-serif;"><i>L'Osservatorio Waste Watcher stima che ogni anno in Italia lo spreco alimentare costi 8,1 miliardi di euro. I dati FAO indicano che un terzo della produzione di alimenti non viene mangiato, quando l'80% di questa quota sarebbe ancora commestibile. </i></span><br />
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<span style="font-family: Verdana, sans-serif;"><b><span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;"><span style="color: cyan;">COME
PARTECIPARE</span></span></b><br />
L'iscrizione è gratuita.<br />
La richiesta deve pervenire via mail entro domenica 10 maggio.<br />
Ogni partecipante può presentarsi come artista singolo o come membro di
un'associazione.<br />
L'elenco degli artisti sarà presente sulla pagina web dell'evento accompagnato,
opzionalmente, da un contatto. Le associazioni avranno la possibilità di
inserire sul sito oltre all'elenco dei pittori un'immagine e una breve
biografia.<br />
Le tele non saranno timbrate, quindi chi volesse può presentarsi con un
preparatorio sulla tela.<br />
La manifestazione inizierà alle ore 9.00 e finirà alle ore 19.00. Lo start
dell'estemporanea è fissato alle ore 11.00 , ma è consentito presentarsi anche
oltre questo orario. <br />
Tutte le opere potranno rimanere esposte all'interno del parco Parri per tutta
la durata dell’evento. Le opere rimarranno
di proprietà degli artisti. E’ caldamente consigliato anche l’utilizzo di
propri materiali di recupero, quali caffè, farine, terre.. oltre ai colori
solitamente utilizzati per sottolineare la mission dell’evento.</span></div>
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<span style="font-family: Verdana, sans-serif;">Se interessati inviare
a anginafactorys@libero.it : </span></div>
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<span style="font-family: Verdana, sans-serif;">NOME, COGNOME, RECAPITO MAIL E TELEFONICO. Indicare se si
intende partecipare come artista singolo o come associazione.</span></div>
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<span style="background-color: lime;"><span style="color: #444444; font-family: Verdana, sans-serif;"><b>LA GIORNATA</b></span></span></div>
<span style="font-family: Verdana, sans-serif;"><b><span style="line-height: 115%;">_</span></b><span style="line-height: 115%;"> Orticolì<br /><o:p></o:p></span></span><span style="font-family: Verdana, sans-serif;"><b><span style="line-height: 115%;">_</span></b><span style="line-height: 115%;"> Parco
Parri / Vigevano (PV)<br /><o:p></o:p></span></span><span style="font-family: Verdana, sans-serif;"><b><span style="line-height: 115%;">_</span></b><span style="line-height: 115%;"> Domenica
17 maggio negli orari di apertura del parco.<br /><o:p></o:p></span></span><span style="font-family: Verdana, sans-serif;"><b><span style="line-height: 115%;">_</span></b><span style="line-height: 115%;"> Nella zona dell’evento verranno allestiti
degli orti urbani, tra i quali si svolgerà un workshop di pigmenti naturali
commestibili, si potrà seminare e scambiare sementi e si potrà partecipare ad un’estemporanea di pittura aperta a tutti. Si dipingerà anche
con frutta e verdura e si prepareranno inoltre smoothie
e frullati come prova della Grande Caccia al Tesoro che si svolgerà a Vigevano il 17 maggio.</span></span><br />
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<span style="background-color: magenta; line-height: 115%;"><span style="color: #444444; font-family: Verdana, sans-serif;"><b>IL PROGETTO</b></span></span></div>
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<span style="background-color: black; font-family: Verdana, sans-serif;"><span style="line-height: 18.7600002288818px;">Ad Orticolì saranno utilizzate frutta e verdura donate da negozi e supermercati che metteranno a disposizione tutti quei prodotti che pur essendo ancora commestibili hanno perso i requisiti estetici per l’esposizione sullo scaffale.</span></span></div>
<span style="background-color: black;"><span style="font-family: Verdana, sans-serif;"><span style="line-height: 18.7600002288818px;">L’ istituto britannico IMechE ha reso noto che la metà dei generi alimentari prodotti nel mondo (pari a due miliardi di tonnellate) viene gettato via. La tipica ossessione occidentale per il cibo esteticamente perfetto, scadenze troppo ravvicinate, cattiva conservazione e mala gestione dei quantitativi di cibo domestico evitano che il cibo arrivi nel piatto.</span></span><span style="font-family: Verdana, sans-serif;"><span style="line-height: 18.7600002288818px;">Ad Orticolì sarà anche possibile lo scambio di sementi, pratica che determina biodiversità e sostenibilità economica, ma sempre più spesso vietata in molti paesi del mondo a causa dello strapotere delle aziende che detengono i brevetti sui semi.</span></span></span><br />
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<span style="color: #444444; font-family: Verdana, sans-serif;"><span style="background-color: cyan; line-height: 18.7600002288818px;"><b>IL WORKSHOP</b></span></span><br />
<span style="font-family: Verdana, sans-serif;">Fino a poco più di un secolo fa i colori erano esclusivamente di origine naturale. In seguito con la messa a punto dei colori di sintesi, l’uso dei colori naturali è stato sempre più limitato. Ma cosa sono i colori? Sono sostanze in grado di assorbire la luce. Per esempio la clorofilla, il pigmento che rende verdi le foglie, assorbe le lunghezze d'onda del violetto, del blu e anche del rosso, ma riflette solo la luce verde. Altri pigmenti soni i carotenoidi, che vengono normalmente suddivisi in due classi: i caroteni e le xantofille (come la luteina). I carotenoidi assorbono il blu e il blu-verde e la luce da loro riflessa appare gialla. Un terzo pigmento, o meglio classe di pigmenti, sono gli antociani. Essi assorbono la luce blu, blu-verde e verde perciò la luce da loro riflessa può variare dal rosso al blu. Le antocianine appartengono alla famiglia dei flavonoidi che sono antiossidanti e antiradicalici.</span><br />
<span style="font-family: Verdana, sans-serif;">ROSSO: pomodoro, barbabietola, ciliegie </span><br />
<span style="font-family: Verdana, sans-serif;">ROSA: rapa, cavolo rosso</span><br />
<span style="font-family: Verdana, sans-serif;">GIALLO/ARANCIONE: calendule, tagete, curcuma, carote</span><br />
<span style="font-family: Verdana, sans-serif;">VERDE: spinaci,bieta, tè verde, cavolo verde, alghe</span><br />
<span style="font-family: Verdana, sans-serif;">BLU: mirtilli, cavolo rosso</span><br />
<span style="font-family: Verdana, sans-serif;">MARRONE: caffè, cipolla</span><br />
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<span style="color: #444444; font-family: Verdana, sans-serif;"><b style="background-color: #cc0000;">LA LOCATION</b></span><br />
<span style="font-family: Verdana, sans-serif;">Nuovamente Angina Factory's sceglie di utilizzare lo spazio urbano come medium, con la consapevolezza che dal basso del territorio si possa dialogare con l'alto delle istituzioni.</span><br />
<span style="font-family: Verdana, sans-serif;">Dopo i recenti fatti che hanno coinvolto il parco Parri, dalla cantonata delle frasi d'amore scambiate per inni al terrorismo e alla più recente e triste privatizzazione dello stesso, AF vuole come di consueto abitare lo spazio pubblico proponendo una giornata di gioco partecipativo per potersi mettere</span><span style="font-family: Verdana, sans-serif;"> in gioco.</span><br />
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-1329941710353293382015-03-07T14:00:00.001+01:002016-02-26T09:42:18.045+01:00essere donna oggi<div align="left">
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<span style="font-family: "verdana" , sans-serif;">Le ragazze di
Angina Factory’s parteciperanno alla mostra </span><span style="font-family: "verdana" , sans-serif;"><b>“Il Rifiuto non Esiste”</b> curata da Gaia
Rotango (ART on STAGE) all’interno della manifestazione Essere Donnna Oggi che
inaugurerà <b>sabato 7 marzo alle ore 15.00 presso la Cavallerizza del Castello di
Vigevano. </b></span></h4>
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<span style="color: #eeeeee; font-family: "courier new" , "courier" , monospace;"><span style="font-size: large;"><br /></span><i>Le artiste
esporranno lavori che indagano la condizione femminile oggi. Opere di denuncia
e critica alla moda dell’apparire sempre secondo canoni imposti da altri, ma marcate dalla consueta ironia del collettivo.</i><i>Verranno
presentati collage e opere a tecnica mista realizzati utilizzando materiali che
spaziano dalle riviste di moda ai coloranti per capelli.</i></span></h3>
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<span style="background-color: black; color: white;"><span style="font-family: "verdana" , sans-serif;">Sarà anche esposta “Mould”:<span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
l’opera realizzata nell'atelier di AF nel 2003 comprende una serie di tele con colture di muffe e muschi</span> che ci
ricorda che il cibo non rimane tale per
sempre, nel migliore dei casi viene mangiato, ma può anche capitare</span><span style="font-family: "verdana" , sans-serif;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">che perda le sue
qualità prima che questo avvenga. L’ istituto britannico IMechE ha reso noto
che la </span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">metà dei generi
alimentari prodotti nel mondo (pari a due miliardi di tonnellate) viene gettato
via. La </span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">tipica<b> ossessione</b>
occidentale per il cibo esteticamente perfetto, scadenze troppo ravvicinate,
cattiva </span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">conservazione e
mala gestione dei quantitativi di cibo domestico evitano che il cibo arrivi nel
piatto.<br /><o:p></o:p></span></span><span style="font-family: "verdana" , sans-serif;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">Su questo tema Angina Factory’s sta
preparando <b>un evento</b> che si terrà il 17 maggio al Parco Parri di Vigevano: in
un contesto di orti urbani appositamente realizzati si terrà </span>un workshop di pigmenti naturali
commestibili e un’estemporanea di pittura aperta a tutti. <b>Si dipingerà con
frutta e verdura</b> sorseggiando smoothie grazie alle donazioni di negozi e
supermercati che metteranno a disposizione tutti quei prodotti che pur essendo
ancora commestibili hanno perso i requisiti estetici per l’esposizione sullo
scaffale.</span><span style="font-family: "verdana" , sans-serif;">Nel mese di
apertura di Expo Angina Factory’s vuole così rivalutare l’importanza
fondamentale dell’<b>agricoltura</b> nel territorio lomellino contrapponendosi alle
logiche di cementificazione e continuo stupro del territorio.</span></span><br />
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<span style="font-family: "verdana" , sans-serif;"><b>A tal
proposito vi invitiamo a partecipare alla CATENA UMANA che si terrà il 28 marzo
a Mortara per dire STOP ai fanghi e
chiedere più controlli sul loro spargimento (cerca il Comitato no ai fanghi in
Lomellina e informati!).</b></span><o:p></o:p></div>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-71554906508708194282014-11-29T15:12:00.000+01:002014-11-29T15:13:05.915+01:00Libriamoci - Piccolo salone del libro<div align="left">
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-63139282859170869922014-10-12T22:14:00.001+02:002014-10-25T09:37:53.772+02:00Libriamoci. Piccolo Salone del Libro<div align="left">
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<span style="line-height: 115%;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">In
occasione della Giornata Mastronardiana correlata alla 13° Rassegna Letteraria
il collettivo artistico Angina Factory’s presenta:</span></span></div>
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<b><span style="line-height: 115%;"><span style="background-color: black; color: #f3f3f3; font-family: Verdana, sans-serif; font-size: large;">Libriamoci. Il libro ci mette le ali.</span></span></b></div>
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<span style="background-color: black; color: #f3f3f3; font-size: large;"><b><span style="line-height: 115%;"><span style="font-family: Verdana, sans-serif;"> Piccolo Salone del Libro</span></span></b><b><span style="line-height: 115%;"><span style="font-family: Verdana, sans-serif;"> e degli Autori Vigevanesi </span></span></b></span></div>
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<span style="color: lime; font-size: large;"><b><span style="line-height: 115%;"><span style="font-family: Verdana, sans-serif;">Domenica 26 Ottobre 2014 </span></span></b></span><br />
<span style="color: lime; font-size: large;"><b><span style="font-family: Verdana, sans-serif; line-height: 115%;">Ore 10–20 </span><span style="font-family: Verdana, sans-serif; line-height: 115%;">CIRCOLAB</span><span style="font-family: Verdana, sans-serif; line-height: 115%;"> </span><span style="font-family: Verdana, sans-serif; line-height: 115%;">via Alfieri Vigevano </span></b></span></div>
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<span style="font-family: Verdana, sans-serif; line-height: 115%;"> </span><b style="font-family: Verdana, sans-serif;"><span style="line-height: 115%;">Una giornata per promuovere e condividere la passione per i libri e per la scrittura.</span></b></div>
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<b><span style="line-height: 115%;"><span style="font-family: Verdana, sans-serif;">Incontra i protagonisti della letteratura tra musica, spettacoli, workshop
tutto ad ingresso libero.<o:p></o:p></span></span></b></div>
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<span style="color: #f3f3f3; font-family: Verdana, sans-serif; font-size: large;"><b>PROGRAMMA</b></span></div>
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<span style="color: lime; font-family: Verdana, sans-serif;"><b><i><span style="line-height: 115%;">ore 10.00</span></i><span style="line-height: 115%;"> </span></b></span></div>
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<span style="line-height: 115%;"><span style="font-family: Verdana, sans-serif;">apertura
del salone e della mostra “Fuori dal coro: Fabio Tacchino”.<o:p></o:p></span></span></div>
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<span style="color: magenta; font-family: Verdana, sans-serif;"><b><i><span style="line-height: 115%;">dalle ore
10.30</span></i><span style="line-height: 115%;"> </span></b></span></div>
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<span style="line-height: 115%;"><span style="font-family: Verdana, sans-serif;">letture e presentazioni degli autori.<o:p></o:p></span></span></div>
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<i><span style="color: cyan; font-family: Verdana, sans-serif;"><b>ore 16.00</b></span></i></div>
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<span style="font-family: Verdana, sans-serif;">workshop di scrittura creativa. Cosa vuol dire raccontare storie oggi? Come si imparano tecniche e come si
acquisiscono capacità di scrittura?<o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">Dal Manuale di
scrittura *abbastanza* creativa, una lezione aperta e partecipativa<o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">con Lele Rozza,
editor di Blonk e gli scrittori *abbastanza* creativi.<o:p></o:p></span></div>
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<span style="line-height: 17.9200000762939px;"><span style="background-color: black; font-family: Verdana, sans-serif;">Letture per bambini. Nicoletta Giaquinta della Biblioteca dei Ragazzi “G. Cordone” terrà le letture ad alta voce per bambini dai due ai sei anni e Vanessa Navicelli presenterà la sua fiaba illustrata "Un sottomarino in paese". Musiche a cura di Marcello Turcato.</span></span><br />
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<i><span style="color: yellow; font-family: Verdana, sans-serif;"><b>ore 18.00</b></span></i></div>
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<span style="font-family: Verdana, sans-serif;">spettacolo teatrale “PASSI.O.NI.
Leggere attentamente il foglietto illustrativo; se il sintomo persiste
consultare un medico” de I Franchi
del Mestier.<o:p></o:p></span></div>
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<i><span style="color: blue; font-family: Verdana, sans-serif;"><b>ore 19.00</b></span></i></div>
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<span style="font-family: Verdana, sans-serif;">performance artistico-musicale di
Angina Factory’s MediaLab.<o:p></o:p></span></div>
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<span style="background-color: yellow; color: #444444; font-family: Verdana, sans-serif;">IL SALONE </span></div>
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<span style="font-family: Verdana, sans-serif;"> Gli autori locali si confrontano con la cittadinanza e tra loro, presentando le proprie opere anche attraverso le letture e le presentazioni nel corner microfono aperto durante tutta la giornata.</span></div>
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<span style="font-family: Verdana, sans-serif;">Andrea Ballone, Graziella Capucci, Giuliana Cazzaniga, Luigi Chiesa, Cesare De Marchi, Alessandra De
Vizzi, Bernardino DeVincenzi, Franco Fava, Bianca Garavelli, Marco Germani, Silavana Giannelli, Giuse Iannello, Valerio Incerto, Gabriella Maldifassi, Genesio Manera,
Giò Marchesi, Antonella Moroni Trevisan, Elisabetta Munerato, Mario Mussini, Vanessa Navicelli, Angelo Penza, Gabriele Porro, Francesco Pugni, Luca Rinaldi, Vincenzo Rosato,
Fabio Rubini, Carlo Santagostino, Simone Satta,Caterina Targa, Maria Elisa Tessarin, Stefano Tomiato, Rita Viarenghi,
Giuseppe Vico, Davide Zardo, Associazione La Ruota, Blonk Editore, Cairoli
16a Spazio all’Arte, Fumetti Di Fam, La Barriera, Officina Delle Idee. </span></div>
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<span style="background-color: lime; color: #444444; font-family: Verdana, sans-serif;">LA MOSTRA</span></div>
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<span style="font-family: Verdana, sans-serif;">Fabio Tacchino, autore underground, nasce a Cassolnovo nel 1965, lavora come grafico e redattore presso alcune riviste e case editrici. Gravita nella scena musicale locale intorno a band come gli "Spaccau Ballet", i "Figli di un Do Minore" e i "Nemici dell'Igiene". Muore suicida nel 1989.</span></div>
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<span style="font-family: Verdana, sans-serif;">A Libriamoci esposti alcuni dei suoi scritti che spaziano da racconti, poesie a canzoni, disegni e molto ancora.</span></div>
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<span style="background-color: cyan; color: #444444; font-family: Verdana, sans-serif;">IL LAB </span></div>
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<span style="font-family: Verdana, sans-serif;">Workshop di scrittura creativa e spettacolo "PASSI.O.NI. Leggere attentamente il foglietto illustrativo; se il sintomo persiste consultare un medico"</span></div>
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<div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; line-height: 18px; margin: 0px 0px 20px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span id="text-bio" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-color: black; font-family: Verdana, sans-serif;">Lele Rozza. Sono laureato in filosofia, ho gestito e gestisco aziende, profit e no profit. Mi occupo di organizzazione e comunicazione strategica. Prestato alla politica per alcuni anni, ho fatto il ghostwriter e mi sono occupato di comunicazione istituzionale. Sono docente di scrittura per l'impresa e storytelling presso Fondazione Milano. Ho pubblicato con Mario Andrigo, <strong style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><em style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Le radici della 'ndrangheta</em></strong>, Nutrimenti editore.</span></span></div>
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<span style="font-family: Verdana, sans-serif;">Franchi del Mestier è una compagnia teatrale
“multiregionale” di Vigevano formata da tre membri: Ylenia Crosta Mancin,
lombarda; Alberto Reghellin,veneto; Massimiliano Bruno, campano, i quali
mettono in scena sia adattamenti sia opere autoprodotte. Nata nel 2010 ma
fondata l’ anno successivo, ha all’ attivo vari spettacoli sul territorio
vigevanese in locali e all’ aperto. Tra le varie attività, nel maggio 2011
ha curato l’ interpretazione di un inno all’ Italia durante una
manifestazione legata al 150° italiano; ha partecipato alle edizioni della
Notte Bianca di Vigevano con gli spettacoli “VigevaSì o NO?” nel 2011,
“Malgrado tutto…” nel 2012 e “Poros e Penìa” nel 2013. Ancora nel 2013 ha
proposto, in occasione del Carnevale, “Poeti Pittori Pigmenti e
Pigmalioni” in collaborazione con il collettivo culturale “Arte il Faro” presso
la Cavallerizza di Vigevano, mentre durante la Settimana Letteraria è chiamata
ad interpretare letture tratte dalle opere di Mastronardi presso la Biblioteca
Civica di Vigevano</span></div>
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<span style="background-color: yellow; color: #444444; font-family: Verdana, sans-serif;">LA BIBLIOTECA </span></div>
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<span style="font-family: Verdana, sans-serif;">Una sala lettura in cui rilassarsi, sfogliare libri e conoscere realtà cittadine.</span></div>
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<span style="font-family: Verdana, sans-serif;">Biblioteca Civica L. Mastronardi, Biblioteca Dei Ragazzi G.Cordone, L'informatore Ievve, </span></div>
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<span style="font-family: Verdana, sans-serif;">Libreria Le Notti Bianche,Psicobiblioteca di Creativamente, Società Storica Vigevanese, UNITRE.</span></div>
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<span style="background-color: magenta; color: #444444; font-family: Verdana, sans-serif;">IL BOOKSHOP</span></div>
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<span style="font-family: Verdana, sans-serif;">Con Angina Factory's e Fumetti di Fam.</span></div>
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<span style="font-family: Verdana, sans-serif;">Tra i fumetti ci sarà la possibilità di conoscere le produzioni, i progetti e le artiste del collettivo AF's.</span></div>
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<span style="background-color: lime; color: #444444; font-family: Verdana, sans-serif;">LA LOCATION</span></div>
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<span style="font-family: Verdana, sans-serif;">Dopo l'intervento in Stazione FS di maggio ancora una volta Angina Factory's rivolge l'attenzione a luoghi della città forse dimenticati, se non addirittura sconosciuti ai più, evadendo dalle classiche concezioni dei luoghi della cultura e della cultura dei luoghi.</span><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">maps//</span><br />
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<br />
Evento
realizzato in collaborazione con Rete
Cultura Vigevano, l’Assessorato alla Cultura e con il patrocinio
dell’amministrazione comunale <o:p></o:p></span></i></div>
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<i><span style="font-size: 12.0pt; mso-bidi-font-family: Arial;">Con il
contributo della Fondazione di Piacenza e Vigevano</span></i><i><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;">.<o:p></o:p></span></i></div>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-3324257981487579042014-09-08T00:29:00.000+02:002014-09-08T00:29:22.200+02:00libriamoci<div align="left">
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-86201904056594786372014-08-22T23:51:00.000+02:002014-08-22T23:51:49.912+02:00PHOTOSTREAM<div align="left">
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-36353785154554046142014-05-09T21:17:00.004+02:002014-08-22T22:19:55.904+02:00silent disco<div align="left">
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<b><span style="font-family: Verdana, sans-serif;">Tutti i mobili realizzati da AF per la silent disco saranno donati allo ZAM -zona autonoma milano - e li ritroverete alla Ladyfest!</span></b></div>
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<span style="font-family: Verdana, sans-serif; font-size: large;">SUPPORTA LA LADYFEST</span></div>
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<span style="font-family: Verdana, sans-serif; font-size: large;"> SUPPORTA ZAM</span></div>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-15358662203154565662014-05-09T21:16:00.003+02:002014-05-13T08:05:47.946+02:00INCONTRO VIGEVANO<div align="left">
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il programma completo su::: <a href="http://anginafactorys.wix.com/incontrovigevano" target="_blank"><b>http://anginafactorys.wix.com/incontrovigevano</b></a></div>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-19954730530591305622014-04-18T23:41:00.001+02:002014-04-25T13:43:15.781+02:00AF per #INCONTROVIGEVANO<div align="left">
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<span style="font-size: 12.0pt; line-height: 115%;"><span style="font-family: Verdana, sans-serif;">In occasione del percorso letterario Lucio Mastronardi che si terrà a Vigevano nel mese di maggio, il collettivo artistico
Angina Factory’s propone un intervento di arredo urbano in piazza IV novembre.<o:p></o:p></span></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;"><span style="font-family: Verdana, sans-serif;">La stazione ferroviaria, luogo di
arrivo e partenza di vigevanesi vecchi e nuovi, è stata scelta come
luogo-simbolo del passato e del divenire.<o:p></o:p></span></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;"><span style="font-family: Verdana, sans-serif;">L’intervento ha l’obiettivo di
creare uno “spazio nuovo” capace di creare iterazioni, fruibili dai pendolari
ma anche dai cittadini. <o:p></o:p></span></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;"><span style="font-family: Verdana, sans-serif;">La stazione, è il luogo idealmente
più vicino a casa ma anche di attesa inattiva, ed è in questa dualità che si
inserisce Angina Factory’s con un intervento che propone la stazione come uno
spazio da vivere. <o:p></o:p></span></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;"><span style="font-family: Verdana, sans-serif;">Un intervento che tende ad un
duplice risultato: l’impatto estetico, fondamentale essendo la stazione
ferroviaria la prima immagine della città per chi arriva in treno, la
funzionalità per creare un luogo in cui la qualità del tempo sia superiore.<o:p></o:p></span></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;"><span style="font-family: Verdana, sans-serif;">Le artiste Alice Accardo, Giada
Carnevale e Manu Zuccarotta realizzeranno le strutture che comporranno
l’opera partendo da materiali donati dalle aziende cittadine.<o:p></o:p></span></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;"><span style="font-family: Verdana, sans-serif;">La realizzazione avverrà in più
fasi: la prima fase consiste in un periodo di frequentazione e osservazione
della stazione ferroviaria da parte delle artiste. In questa fase verranno rintracciate
le dinamiche della vita della stazione-luogo e le eventuali necessità. La
seconda fase di progettazione avverrà coniugando le esperienze delle visite
con la qualità e la quantità del materiale che le artiste avranno a
disposizione. La fase conclusiva sarà la realizzazione e l’allestimento.<o:p></o:p></span></span></div>
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<span style="background-color: magenta; font-size: 12pt; line-height: 115%;"><span style="font-family: Verdana, sans-serif;"><b>PROGRAMMA</b></span></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;"><span style="font-family: Verdana, sans-serif;">L’installazione
sarà usufruibile dalla cittadinanza 24h/24. Saranno presenti complementi per il
relax e una postazione book-crossing con libri e riviste in varie lingue. Sono
previsti due momenti aggregativi: sabato pomeriggio ci sarà Angina Factory’s
Media Lab versione Silent Disco, mente domenica mattina ci sarà una performance
di calligrafia cinese e la distribuzione di fiori recisi come augurio e
benvenuto in città.</span><o:p></o:p></span></div>
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<span style="color: magenta; line-height: 115%;"><span style="font-family: Verdana, sans-serif;">Sabato 11 maggio ore 17.30<o:p></o:p></span></span></div>
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<span style="color: magenta; line-height: 115%;"><span style="font-family: Verdana, sans-serif;">Angina Factory’s Media Lab versione Silent
Disco<o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="line-height: 115%;">Il classico Media Lab di
Angina Factory’s che utilizza il live painting come sorgente di suono unendolo al
deejaying verrà trasmesso via radio. Senza l’utilizzo di casse, in modo che
ognuno sarà libero di sintonizzarsi con il proprio smartphone o radio sulla
stazione segnala</span><span style="line-height: 115%;">ta e di </span><span style="line-height: 115%;">ascoltare la performance in cuffia al volume desiderato,
per dare vita a una vera e propria si<a href="https://www.blogger.com/null" name="_GoBack"></a>lent disco gratuita.</span></span></div>
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<span style="color: magenta; line-height: 115%;"><span style="font-family: Verdana, sans-serif;">Domenica 12 maggio ore 10.00<o:p></o:p></span></span></div>
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<span style="color: magenta; line-height: 115%;"><span style="font-family: Verdana, sans-serif;">Calligrafia Cinese<o:p></o:p></span></span></div>
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<span style="line-height: 115%;"><span style="font-family: Verdana, sans-serif;">In oriente l’uso dello spazio pubblico è da sempre
intensissimo. E’ normale incontrare
nelle piazze o nei parchi gruppi di persone che praticano tai qi, kung fu,
suonano strumenti tradizionali, ballano accompagnati da minuscole radioline,
giocano a dama. Un’altra pratica molto popolare è la scrittura di poesie o
massime con spazzola e acqua direttamente sulla pavimentazione. Domenica
mattina piazza IV Novembre sarà pervasa da questo spirito con la performance di
alcuni cittadini di origine cinese ma vigevanesi d’adozione.</span><span style="font-size: medium;"><o:p></o:p></span></span></div>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-771440854633514792014-01-05T17:10:00.000+01:002014-01-05T18:10:41.511+01:00buon anno! buon compleanno angina!!<div align="left">
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<b><span style="font-family: Verdana, sans-serif; font-size: x-large;">2004- 2014 // 10 ANNI DI ANGINA FACTORY'S!!</span></b><br />
<span style="font-family: Verdana, sans-serif;">quest'anno niente buoni propositi. </span><br />
<span style="font-family: Verdana, sans-serif;"><br /></span>
<span style="font-family: Verdana, sans-serif;">ecco le coordinate</span><br />
<span style="font-family: Verdana, sans-serif;"><b><span style="color: lime;">headquarter </span></b>dove vi trovate ora, benvenuti.</span><br />
<span style="font-family: Verdana, sans-serif;"><b><a href="http://anginafactorys.wix.com/home" target="_blank">website </a></b>tutto nuovo</span><br />
<span style="font-family: Verdana, sans-serif;"><b><a href="http://www.facebook.com/HackerspaceVigevano" target="_blank">hackerspace vigevano</a></b> la nostra palestra di elettronica, side project di af media lab. </span><br />
<span style="font-family: Verdana, sans-serif;"><b><a href="http://www.facebook.com/afurbanology" target="_blank">urbanology </a></b>attività territoriali multiformi e osservatorio nato da "dall'urbanistica utopistica all'archeologia industriale". </span><br />
<span style="font-family: Verdana, sans-serif;"><b><span style="color: yellow;">sala prove </span></b>luogo fisico in cui sudare</span><br />
<span style="font-family: Verdana, sans-serif;"><b><a href="http://www.facebook.com/angina.factorys" target="_blank">(fake) art magazine</a> </b>chewing gum per gli occhi<b> </b>(e l'agenda)</span><br />
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-70620645624793815392013-12-26T14:42:00.000+01:002016-02-26T09:49:47.314+01:00fragile<div align="left">
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><b>natale @ viacairoli.arte</b></span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Il bel paese frantuma i sogni tutti.</span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Quest'anno</span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">A natale puoi</span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Fare quello che puoi</span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">E basta.</span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;">Auguri?</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;"><b>starring: manu z, alice h, giada f.</b></span><br />
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<span style="font-family: courier new, courier, monospace;"><b>1.Scrivi la letterina con i tuoi desideri.</b></span><br />
<span style="font-family: courier new, courier, monospace;"><b>2.Consegnala a Manu, Giada o Alice.</b></span><br />
<span style="font-family: courier new, courier, monospace;"><b>3.Osserva la tua letterina triturarsi nel distruggidocumenti.</b></span><br />
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-74534987042984482242013-12-16T22:30:00.001+01:002013-12-26T14:29:45.648+01:00TEMPORARYART<div align="left">
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<span style="background-color: black; color: red;">TEMPORARY ART</span></div>
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<span style="background-color: black; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Regalati o regala un’emozione.</span><br />
<span style="background-color: black; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Arte contemporanea per tutte le tasche. </span></div>
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<span style="background-color: black;">Cittadella della Cultura - Crema</span></div>
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<span style="background-color: black; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Dal 19 al 29 Dicembre</span></div>
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<span style="background-color: black; color: red;"><span style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">VERNISSAGE:</span><span style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"> </span><br style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;" /><span style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Sabato 21 Dicembre dalle 15.30: apertura straordinaria fino a mezzanotte, presenza di tutti gli artisti, eventi artistici “a sorpresa” per tutta la giornata e performance artistica musicale di Angina Factory’s Media Lab (ore 21.30).</span></span><br />
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<span style="background-color: black; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">E’ un’esposizione di arte contemporanea che coinvolge tutte le arti. L’evento è ideato e curato dall’artista cremasca </span><span style="background-color: black; color: red; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">MimiArtDesign</span><span style="background-color: black; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">, con il prezioso supporto dell’Assessorato alla Cultura del Comune di Crema. Un evento straordinario, senza precedenti, che vede l’esposizione di opere “ordinarie” di alta qualità e l’inserimento di opere “straordinarie”, create ad hoc da ogni artista per l’evento. </span><br />
<span class="text_exposed_show" style="background-color: black; display: inline; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><br /><span style="color: #333333;">18 ARTISTI esposti, di cui 12 già affermati e conosciuti nella scena milanese (e non solo), portatori di emozioni, sogni e novità e 5 nuove proposte (sezione “TALENT.ART.SCOUT”). Tutti rivoluzionari e idealisti, accomunati dalla voglia di portare l’arte di qualità ovunque e di renderla temporaneamente accessibile a chiunque. Fotografia, pittura, illustrazione, installazione, teatro e scultura si uniscono per offrire un’emozione unica e intensa.</span></span><br />
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<span class="text_exposed_show" style="background-color: black; display: inline; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><span style="color: #333333;"><br /></span><span style="color: red;"><br />ARTISTI:</span><br /><br /><span style="color: #333333;">Alice Accardo </span><span style="color: #999999;">(pittura) “La mia è una natura inquieta, frammentaria e tale si riflette nei miei collage, tecnica che prediligo insieme all'uso di acquarello e china. Il mio mondo, seppur di aspetto gradevole, nasconde sempre qualcosa di malinconico e di surreale: i miei lavori sono visionari scorci sulla mancanza di senso della modernità.” </span><br /><br /><span style="color: #333333;">Lucio Albergo</span><span style="color: #999999;"> (fotografia/instagrammer) “faccio foto da dietro un angolo perché è l’unico modo che conosco di guardare le persone che mi circondano.”</span><br /><span style="color: #333333;">Bottega Rosenguild</span><span style="color: #999999;"> (teatro/illustrazione) “contorno il mio teatro-da-sofà (spettacoli teatrali a domicilio) con le illustrazioni di Loris Dogana, creando un’installazione teatrale con-temporanea”</span><br /><span style="color: #333333;">Mattia Barf Carne </span><span style="color: #999999;">(pittura) “La mia crescita dal punto di vista pittorico è stata condizionata fortemente dall’esperienza che ho maturato nel campo dei graffiti. L’utilizzo della tecnica dello spray, associata agli elementi tipici della cultura street quali schizzi, colature e sfondi in cui il tratto rimane volutamente grezzo, sono diventati anche i connotati principali del mio lavoro su tela.” </span><br /><br /><span style="color: #333333;">Giada Carnevale</span><span style="color: #999999;"> (pittura) “Il mio lavoro è pelle che annulla pelle, carne, vita, morte, sentimento.”</span><br /><span style="color: #333333;">Lele De Bonis </span><span style="color: #999999;">(scultura) “Cercando di riassumere il mio lavoro in poche righe probabilmente non esiste miglior sintesi che nel concetto di “ready made”. Fin da piccolo ho sempre giocato a cercare significati e connotazioni diverse nelle cose che mi capitavano tra le mani.”</span><br /><span style="color: #333333;">Gianpiero Galimberti</span><span style="color: #999999;"> (fotografia) "Quando scatto, mi capita di trovare in quel che ritraggo un richiamo ad una canzone, che subito parte, riecheggia negli angoli della mente ed è come sentirla per davvero. La fotografia per me è musica."</span><br /><span style="color: #333333;">Stefano Grando </span><span style="color: #999999;">(fotografia) “A volte guardo la vita attraverso una lente.. In attesa di un istante che meriti di essere ricordato per sempre.. click!”</span><br /><span style="color: #333333;">Julio Roberts </span><span style="color: #999999;">(illustrazione): “Do sfogo alla mia passione per il disegno, dedicandomi alla “juliorobertizzazione” di personaggi famosi e non e all’illustrazione pura e semplice legata a tutte le tematiche e nessuna in particolare”.” </span><br /><span style="color: #333333;">MimiArtDesign</span><span style="color: #999999;"> (pittura/installazione) “Io sono l’amore, quell’amore femminile che rappresento con i sogni, le gioie e i dolori che questo comporta, contaminati dalla bellezza,dal buon gusto e con un’aria rivolta al design.”</span><br /><span style="color: #333333;">Alessandro Minoggi </span><span style="color: #999999;">(pittura) “Il mio lavoro parte sempre dalle foto. Perché sono la cosa che più assomiglia alla realtà. Ma sono false. Non incorniciano la realtà meglio di un quadro o una descrizione letteraria.”</span><br /><span style="color: #333333;">Miss V</span><span style="color: #999999;"> (pittura) “Dipingo piccoli acquarelli, circondata da righe e pancia in su.”</span><br /><br /><span style="color: #333333;">Gianluca Quaglia </span><span style="color: #999999;">(installazione) “Il mio lavoro indaga la connessione tra l’ambiente e ciò che nell’ambiente accade, come contesto e soggetto si rapportano e modificano tra loro. In una parola:relazione.”</span><br /><span style="color: #333333;">Pornobello </span><span style="color: #999999;">“Avevo una vita ordinaria, fino a quando non ho inventato una donna nuda.”</span><br /><br /><span style="color: #333333;">Steve Strangeman</span><span style="color: #999999;"> (pittura) “La mia ricerca è rivolta alla percezione e alla rappresentazione del tempo inteso come elemento effimero e inafferrabile attraverso la suggestione dei materiali e dei colori posati su tela, lamiera o supporti di recupero, con tecniche improvvisate.” </span><br /><span style="color: #333333;">Matteo Suffritti </span><span style="color: #999999;">(fotografia) “Dimenticare le domande del passato è un rischio che oggi non possiamo correre. Per uscire da questo nuovo medioevo l’arte può essere indagine, denuncia, grido, passione. E non importa quale tecnica si scelga.” </span><br /><span style="color: #333333;">Manu Zaccarotta </span><span style="color: #999999;">(pittura) “I miei mondi paralleli finti e gli ibridi a sbalzo o creati con assemblage si collocano in un progetto più vasto e complesso che ha al centro l’indagine dell’evoluzione attraverso il mezzo artistico.” </span><br /><span style="color: #333333;">Alan Zeni</span><span style="color: #999999;"> (pittura) “Il mio lavoro parte dalla necessità della trasfigurazione del mio ego mischiato alla realtà che vivo. Cercando il mio ideale confondo i miei mondi infantili con le mie paure e prese di coscienza odierne.”</span><br /><span style="color: magenta;">ORARI DI APERTURA:<br /><br />Sale espositive Francesco Agello, Cittadella della Cultura<br />Piazzetta Winifred Terni de Gregorj 3 – 26013 - Crema<br /><br />Dal 19 al 29 Dicembre dalle 15.30 alle 19.30, tranne 24 e 25 Dicembre (chiuso)</span><br /><br /><span style="color: lime;">PARTNER DELL’EVENTO: </span><br /><br /><span style="color: #333333;">Progetto 9, un magazine che vive di sogni: una vita come un laboratorio di esperienze per altre vite, gratis come i sogni, imperativo come realizzarli.</span><br /><span style="color: #333333;">Comune di Crema, Assessorato alla Cultura</span><br /><span style="color: lime;"><br />INFO:</span><br /><span style="color: #333333;">michelamombelli@hotmail.co</span><wbr></wbr><span class="word_break" style="color: #333333; display: inline-block;"></span><span style="color: #333333;">m</span></span></div>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-55940138877587072872013-12-02T20:07:00.001+01:002013-12-02T20:08:11.455+01:00sala prove<div align="left">
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-4346762646456700682013-10-31T09:17:00.000+01:002013-10-31T09:18:59.238+01:00el dia de los muertos<div align="left">
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-29957658536618448822013-10-28T14:35:00.003+01:002013-11-02T12:00:29.641+01:00urban network<div align="left">
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<span style="font-family: Verdana, sans-serif;">Ieri durante la giornata conclusiva della mostra “Dall’urbanistica
utopistica all’archeologia industriale” Angina Factory’s ha presentato il
progetto di un network per la condivisione di conoscenze e idee per poter
proseguire la riflessione iniziata con questa mostra.</span></div>
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<span style="font-family: Verdana, sans-serif;">Il network che idealmente segue il percorso che va dall’archeologia
industriale all’eco-smart city oltre ad essere principalmente un osservatorio
sulla città di Vigevano toccherà le tematiche che sono sempre state promosse da
Angina Factory’s: arte di sopravvivenza, sostenibilità, integrazione,
attivismo urbano, DIY, partecipazione, agricoltura, architettura, guerrilla, arredo urbano, citizen journalism, condivisione, interventismo spontaneo…
e sarà fruibile attraverso il nostro
blog e un gruppo dedicato su fb! stay tuned!</span><br />
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<span style="font-family: Verdana, sans-serif;"><b><a href="https://www.facebook.com/afurbanology" target="_blank">URBANOLOGY SU FB</a></b></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><a href="https://www.facebook.com/afurbanology" target="_blank"><br /></a></td></tr>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-57512987233788565892013-10-28T14:16:00.002+01:002014-08-24T22:37:42.380+02:00Dall'urbanistica utopistica all’archeologia industriale<div class="separator" style="clear: both; text-align: center;">
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<b style="background-color: black; color: #cccccc; font-family: Verdana, sans-serif;"><span style="font-size: 13px; line-height: 16px;">In occasione della Rassegna Letteraria di Vigevano 2013, Angina Factory's e l'associazione Arte il Faro presenteranno dal 19 al 27 ottobre all’interno del Fabbricone di via Trento la mostra "Dall'urbanistica utopistica all’archeologia industriale", che guiderà il visitatore dalla nascita della città moderna dovuta ai primi insediamenti industriali, fino alla morte della fabbrica, la nascita dell'archeologia industriale e il caos conseguente.</span><span style="font-size: 13px; line-height: 16px;">Durante l’inaugurazione il 19 ottobre alle ore 17.30, avrà inizio la realizzazione di un'opera collettiva dal titolo "Urban Attack” che si protrarrà per tutta la durata della mostra. I visitatori potranno interagire con gli artisti e contribuire alla creazione di una città ideale con una divertente tecnica che traendo spunto dal collage si presenta come un analogico "copia e incolla".</span><span style="font-size: 13px; line-height: 16px;">Verrà inoltre allestito un punto di lettura permanente a cura del gruppo di studio “Amici di Giovanni Rota” e un punto video a cura della Società Storica Vigevanese e dell’associazione Officina delle Idee.</span></b></div>
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<span style="font-size: 13px; line-height: 16px;"><span style="color: #cccccc; font-family: Verdana, sans-serif;"><b style="background-color: black;">In conclusione, il 27 ottobre alle ore 21.00, Angina Factory’s Media Lab proporrà "Industrial Utopia", una performance ispirata ai rumori e ai gesti della fabbrica.</b></span></span><br />
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<span style="font-size: 13px; line-height: 16px;"><span style="background-color: black; font-family: Verdana, sans-serif;"><span style="color: white;">FABBRICONE</span><span style="color: #333333;"> </span><span style="color: red;">via trento 42 - vigevano PV</span></span></span><br />
<span style="background-color: black; font-family: Verdana, sans-serif;"><span style="color: white; font-size: 13px; line-height: 16px;">ARTISTI IN MOSTRA: </span><span style="font-size: 13px; line-height: 16px;"><span style="color: red;">alice accardo - giada carnevale schianca - el senor vombato - marco favazzi - michele rinaldi - chiara luise - matteo suffritti - simone padovani - michela spezza - manu zuccarotta</span></span><br style="color: #333333; font-size: 13px; line-height: 16px;" /><span style="color: white; font-size: 13px; line-height: 16px;">INAUGURAZIONE:</span><span style="color: #333333; font-size: 13px; line-height: 16px;"> </span><span style="font-size: 13px; line-height: 16px;"><span style="color: red;">sabato 19 ottobre ore 17.30</span></span><br /><span style="color: white; font-size: 13px; line-height: 16px;">PERFORMANCE ANGINA FACTORY'S MEDIA LAB:</span><span style="color: #333333; font-size: 13px; line-height: 16px;"> </span><span style="font-size: 13px; line-height: 16px;"><span style="color: red;">domenica 27 ottobre ore 21.00</span></span></span><br />
<span class="text_exposed_show" style="display: inline; font-size: 13px; line-height: 16px;"><span style="background-color: black; font-family: Verdana, sans-serif;"><span style="color: white;">ORARI:</span><span style="color: #333333;"> </span><span style="color: red;">17.30 - 22.00 </span><br /><span style="color: #cccccc;">weekend tutto il giorno<br />INGRESSO GRATUITO</span></span></span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">L’urbanistica
nasce come disciplina alla fine dell‘800, ma in realtà la razionalizzazione
degli spazi risale all’epoca della polis greca, quando Ippodamo idea la città a
pianta ortogonale divisa per aree funzionali, della quale abbiamo testimonianze
a Mileto e Pirene.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Si
dovrà aspettare il Barocco per ritrovare degli studi sulla struttura urbana. La
città infatti aveva perso importanza e la si riscopre ora nella ricerca di una
“città ideale”. La città conquista un ruolo decisivo rispetto alle arti in
quanto diventa il luogo in cui esse nascono, si evolvono e si esprimono.
L’unico esempio di centro cittadino non difensivo razionalmente progettato e
realizzato sul modello della “città ideale” quattrocentesca è quello di
Vigevano.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Dalle
prime città propriamente dette, che troviamo in Mesopotamia in un periodo
antecedente al 4000 a.C., trascorrono 5 millenni di “città preindustriale”.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">La
città era nata come centro di mercato, con la produzione che avveniva al di
fuori di essa.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Con
la prima rivoluzione industriale la città diventa centro produttivo. I nuovi
impianti industriali innescano l’inurbamento e i processi migratori e saranno
il motore dello sviluppo urbano per oltre due secoli. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Un
cambiamento così drastico e repentino porta con sé numerosissimi problemi e
nuove sfide per far fronte al collasso della città che sembrava inevitabile,
non essendo presenti i servizi e le strutture adatte per accogliere i nuovi
abitanti.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Nascono
in questo periodo le prime utopie urbanistiche che a differenza della
teorizzazione della “città ideale” del ‘400 vogliono provare a risolvere
problemi presenti e reali.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Robert
Owen alla fine del ‘700 tentò di condurre la sua fabbrica di New Lanark in
Inghilterra secondo dei principi ideali, che si basavano sulla creazione di
sicurezze per gli operai all’interno della fabbrica, ma anche fuori. A New
Lanark lavoravano oltre 2000 persone: un vero e proprio villaggio nato per la
fabbrica e che gravitava attorno alla fabbrica. Owen oltre agli alloggi per i
lavoratori fece aprire dei negozi cooperativi per garantire la buona qualità
dei prodotti e i prezzi contenuti, eliminò il lavoro minorile e creò la prima
scuola materna in Gran Bretagna.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">In
Italia nel 1875 l’imprenditore liberale Cristoforo Crespi acquistò un terreno
sull’Adda per realizzare quello che sarebbe diventato un villaggio operaio
moderno. Come Owen un secolo prima i Crespi sostengono che la qualità della
vita dei dipendenti deve essere tutelata, anche per il benessere dell’azienda
stessa. Con una serie di strategie che coinvolgono urbanistica, sociologia, ma
anche estetica, i Crespi realizzano un villaggio a misura d’uomo, con villette
per gli operai (inizialmente tutte uguali secondo i canoni dell’isonomia
greca), la scuola, l’ambulatorio, il teatro, il dopolavoro, la chiesa e, non
scontato per l’epoca, il lavatoio con l’acqua calda, il tutto in un contesto
ordinato e finemente decorato e , altrettanto non scontato, immerso nel verde.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Crespi
all’inizio dell’800 importava il cotone dal Sud America e dai paesi dell’est e
le sue esportazioni superavano il 30% della produzione, quindi non bisogna
collegare acriticamente la globalizzazione come caratteristica della città
postindustriale e leggendo questi dati si capisce inoltre come l’autarchia fu,
se non determinante, una delle maggiori cause della vendita della fabbrica alle
banche negli anni ’30.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">L’opera
di Crespi non seguiva un modello e non fu un modello, ma in Italia altri due
imprenditori, Rossi e Leumann, crearono situazioni analoghe a Schio e a
Collegno. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">La
questione sociale e la condizione dei lavoratori fu un tema dibattuto anche
dagli architetti. Infatti il modello della villetta inglese usato da Crespi per
i suoi operai è la “casa salutare” presentata all’esposizione di architettura.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Nel
1898 viene pubblicato “To-morrow: a peaceful path to real riform” di Howard, in
cui viene teorizzata la “città giardino”. Nel 1904 gli architetti Unwin e
Parker vincono il concorso per la realizzazione della prima città giardino ,
concretizzando le idee espresse da Howard. Influenzati dalle idee di Ruskin e
di Morris, padre dell’Arts and Crafts, utopisticamente vogliono riconciliare la
città con la campagna, non riuscendo a presentare una reale soluzione al
caotico inurbamento che si stava verificando e ai reali problemi della società.
Nonostante le buone intenzioni degli esponenti del movimento, le prime città
realizzate, come Letchworth in UK e Hellerlau in Germania, finiranno per essere
il modello dei moderni quartieri residenziali esclusivi.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Nel
1902 Amsterdam approva la legge di
riforma urbanistica, diventando la prima città con una politica della casa
estesa a tutto il territorio. L’amministrazione cittadina decise di avvalersi
non solo di architetti e ingegneri, ma anche di medici, igienisti e avvocati
per stendere il nuovo piano. Gli architetti invece, riuniti nella Scuola di
Amsterdam, risposero con una concezione visionaria in cui si voleva garantire a
tutti i cittadini una casa non solo decente, ma anche curata dal punto di vista
estetico.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; color: #cccccc;"><span style="font-family: 'OCR A Extended';">La
legge di Amsterdam domanda per la prima volta la responsabilità degli standard
dell’edilizia sociale alle municipalità.</span><span style="font-family: 'OCR A Extended';"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Il
migliore esempio di questa concezione è rappresentato dal quartiere di De
Dageraad, realizzato nel 1918, in cui si vede chiaramente la distanza abissale
con i casermoni popolari dello storicismo che non sempre riuscivano a garantire
luce e aria. Recita una targa: “Un sogno in mattoni - Niente è abbastanza bello
per i lavoratori che hanno dovuto vivere tanto a lungo senza bellezza - dice
Michel De Clerk insieme a Piet Kramer, architetti di questo sogno in mattoni.
Ogni dettaglio è curato, dagli infissi al cornicione. Le curve sporgenti delle
facciate ricordano una nave, con mattoni rossi come onde nella sua scia.
Dall’acqua si arriva a sinistra e a destra, ai due piazzali sul retro, dove il
complesso mostra un profilo completamente diverso. Le parti che danno sulla
strada da questa parte sono costruite con facciate diverse che guardano sulla
piazzetta richiamando le classiche case a schiera”.<o:p></o:p></span></span></div>
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<span style="background-color: black; font-family: 'OCR A Extended'; line-height: 115%;"><span style="color: #cccccc;">In Italia nel 1903 Luigi Luzzatti propone e fa
approvare una legge sulle case popolari che recita “case sane e a buon
mercato”, ma che nella struttura totale risulta molto lontana dal percorso
olandese.</span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Negli
anni ’30 la questione sociale della città industriale non è ancora risolta.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">L’idea
dell’architetto Alfred Messel che l’architettura abbia un ruolo determinante
all’interno del sistema sociale è ormai opinione diffusa e i più grandi
architetti dell’epoca raccolgono la sfida.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Frank
lloyd Wright come molti di quell’epoca aveva letto Ruskin, ma si discosta
dall’idea di comunità che fino a quel momento aveva caratterizzato le utopie e
propone con “Usonia” tante villettine autosufficienti. Pubblica nel 1932 “The
disappearing city” contenente le idee che potrà mettere in pratica nel 1935 a
Broadcre City. Frank Lloyd Wright inventa così il modello dei suburbs moderni.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Nel
1935 Le Corbusier pubblica “La ville radieuse”, ma il suo progetto per una
città ideale risale al 1922, “Une ville contemporanie”, studiata e progettata
per ospitare 3 milioni di abitanti. Nella zona che Le Corbusier destina agli
alloggi si trova ancora in forma grezza l’”unitè d’abitation” che lo rese celebre
gli anni successivi.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Una
risposta immediata e concreta provarono invece a darla gli architetti Ernst
May, allievo di Unwin, e Margarete Shutte-Lihotzky, che realizzarono un ottimo
esempio di edilizia sociale creando la Nuova Francoforte.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Coinvolsero
nel loro progetto alcuni graphic designer per progettare un nuovo sistema di
segnaletica neon e numerosi architetti in modo da proporre soluzioni
architettoniche diversificate e non ripetitive. Nella sua rivista mensiel “Das
Neue Frankfurt” May tratta di letteratura, arte, educazione, film, teatro e
radio, considerandoli alla base della cultura urbana. L’architetto Margarete
Shutte-Lihotzky, che non aveva mai cucinato, crea la moderna cucina monoblocco,
progettata per risparmiare spazio, ma soprattutto per far risparmiare tempo
alle donne, rendendo più agevole l’utilizzo della cucina. Oltre a fare
installare una cucina monoblocco in ogni appartamento, realizzò dei giardini di
infanzia basati sul metodo Montessori.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
</div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Le
idee e le realizzazioni di May e della Shutte-Lihotzky influenzarono
profondamente Catherine Krause Bauer Wurster, che negli USA promosse il
movimento degli “Housers” per un urbanistica sociale.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">L’esperienza
di Owen e del paternalismo illuminato di Crespi, Rossi e Leumann comunque non
andò persa e la si ritrova ad esempio nell’opera di Adriano Olivetti,
Ermenegildo Zegna, Giovanni Borghi e recentemente in quella di Bruno Cucinelli.
Elemento fondamentale di questi filantropi è l’attenzione che pongono nei
confronti della natura e della cultura. Bisogna sottolineare l’impegno di Zegna
nella tutela del territorio con la piantumazione di 500000 tra conifere,
rododendri e ortensie inaugurando nel 1938 la Panoramica Zegna.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Olivetti
oltre a creare dei trend in architettura e design chiamando Sottsass, Bellini,
Vittoria.. dal 1946 pubblica la rivista “Comunità” che fa trovare ai dipendenti
nella vasta e variegata biblioteca aziendale, su cui firmano Silone, Pavese,
Montale..<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Le
prime abitazioni furono costruite nel 1926 per iniziativa del padre Camillo in
una zona che prese il nome di Borgo Olivetti. In seguito sorsero i quartieri di
<strong><span style="border: 1pt none windowtext; font-weight: normal; padding: 0cm;">quartiere
di via Castellamonte, il quartiere di Canton Vesco a Ivrea seguiti da La Sacca
e il quartiere Bellavista.</span></strong><strong><span style="border: 1pt none windowtext; padding: 0cm;"> </span></strong><span style="background-position: initial initial; background-repeat: initial initial;">Le abitazioni erano date in affitto o
a riscatto a condizioni decisamente vantaggiose rispetto ai prezzi di mercato e
i dipendenti potevano usufruire dell’assistenza gratuita e del finanziamento
agevolato per la costruzione o la ristrutturazione delle abitazioni.</span><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">In
Italia la realizzazione di un quartiere ideale venne tentata da Piero Bottoni
nel 1945, che in occasione dell’ottava edizione della Triennale di Architettura
progettò e realizzo il QT8 di Milano, in risposta ai danni della guerra e in
opposizione alle case di ringhiera milanesi che l’architetto riteneva buie e
poco funzionali. La guerra infatti aveva distrutto numerosi edifici e Bottoni
risolse lo smaltimento delle macerie con la costruzione di una montagnetta
artificiale dedicata alla moglie Elsa Stella: l’ancora visibile Monte Stella. Inserì
nei suoi appartamenti alcune strategie per migliorare la qualità della vita
delle famiglie, come il vano passa-piatti e i letti a scomparsa.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended'; line-height: 115%;"><span style="color: #cccccc;">Nel 1937 Bottoni presenta al Ciam di Parigi oltre 400
pagine di Piano della Valle d’Aosta, illustrato come “Urbanesimo di montagna” e
promosso dallo stesso Olivetti.</span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">L’utopia
porta già nel nome il fatto che non sia riscontrabile nella realtà e tutti quei
percorsi così auspicabili, ma comunque pragmaticamente perseguibili non si sono
mai realizzati su larga scala. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">In
Italia dal dopoguerra e con la selvaggia lottizzazione degli anni ’60, si
verifica la nascita di interi quartieri di anonimi casermoni abbandonati a loro
stessi senza servizi o particolari spazi comuni, a causa della mancanza di una
legislazione urbanistica unitaria. Il boom economico di quel periodo che è
caratterizzato dall’iniziativa privata mette fine alle esperienze comunitarie,
e nonostante sia caratterizzato dall’aumento dei salari e dell’ occupazione
porta con sé numerose contraddizioni.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">La
parola “archeologia industriale” si trova per la prima volta in Inghilterra a
metà degli anni ’50 in una pubblicazione di Michael Rix. La fabbrica che aveva
plasmato la città moderna qualche secolo prima e che solo qualche decennio
prima era stata esaltata dai futuristi i quali ad esempio indicarono nel loro
manifesto del 1934 la fabbrica del Lingotto di Torino come la “prima invenzione
costruttiva futurista”, passa concettualmente alla storia e al passato.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">La
città postindustriale e deindustrializzata ci arriva in eredità dagli anni
settanta, senza che si fosse risolto il conflitto della città industriale. La
società industriale è stata superata non per le modifiche introdotte nel
sistema di produzione, ma nel modello di regolamentazione economica.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Touraine
inizia a parlare di postindustriale già nel ’69.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">L’urbanesimo
è comunque inarrestabile e nel 2007 per la prima volta nella storia la
popolazione delle città supera quella della campagna. Il superamento della città
industriale dovrebbe portare alla terziarizzazione con la creazione di
tecnopoli, centri di ricerca e servizi, ma ad esempio la situazione dei
ricercatori italiani e l’erosione del welfare fa sorgere alcuni dubbi.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Il
tessuto urbano diventa anomalo. Dal 2007 l’indice della produzione industriale
italiane ha perso 20 punti percentuali e intanto continuano a crescere aree “ex”:
ex Ansaldo, ex Pirelli, ex Falck, ex Ursus, ex Breda..<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">La
distanza tra ricchi e poveri che nella città industriale si era progressivamente
ridotta torna a crescere.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="background-color: black; font-family: 'OCR A Extended';"><span style="color: #cccccc;">Crescono
sì le occupazioni di tipo intellettuale ad alto reddito, ma iniziano ad
ingrossarsi le fila di lavoratori che forniscono servizi non specializzati e
che si spostano verso gli strati inferiori della struttura sociale, come in un
“dripping” diverso da quello ipotizzato da Milton Friedman, che ipotizzava
invece un “dropping of money out of a helicopter”.<o:p></o:p></span></span></div>
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<span style="background-color: black; font-family: 'OCR A Extended'; line-height: 115%;"><span style="color: #cccccc;">L’esigenza vera di pianificazione e riqualificazione
rimane attuale e come suggerisce il sociologo Jaques Donzelot c’è la necessità
di fare città e fare società.</span></span><br />
<span style="background-color: black; font-family: 'OCR A Extended'; line-height: 115%;"><span style="color: #cccccc;">AF.</span></span><br />
<span style="background-color: black; font-family: 'OCR A Extended'; line-height: 115%;"><span style="color: #cccccc;"><br /></span></span>
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSXmppBNIhpnGiqt_yPff0EBthuYeMOrczMtw7zDbQ179S5hMu2sAgXTymhyphenhyphen4feZueq30-qpr8D5YtIulLrgHR9M_aJnQ9CAC8TZjnia9K9rPyIRQJvSpmH9G-P2lX815I9cFYb6U-FW89/s1600/2013-10-27+12.29.58.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSXmppBNIhpnGiqt_yPff0EBthuYeMOrczMtw7zDbQ179S5hMu2sAgXTymhyphenhyphen4feZueq30-qpr8D5YtIulLrgHR9M_aJnQ9CAC8TZjnia9K9rPyIRQJvSpmH9G-P2lX815I9cFYb6U-FW89/s320/2013-10-27+12.29.58.jpg" height="240" width="320" /></a></div>
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<span style="font-family: Verdana, sans-serif;">il gruppo di studio Amici di Giovanni Rota, creato da Angina Factory's nel 2013, consiglia (google books)</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="background-color: black; color: white; font-family: Verdana, sans-serif;">R<a href="http://books.google.it/books/about/Rural_Artists_Colonies_in_Europe_1870_19.html?id=sDg9H-XVm1UC&redir_esc=y" target="_blank">ural artists' colonies in europe, 1870 - 1910 </a></span></div>
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<span style="color: white; font-family: Verdana, sans-serif;">I<a href="http://books.google.it/books/about/Il_paesaggio_italiano_della_rivoluzione.html?id=xXD_NIOhGeIC&redir_esc=y" style="background-color: black;" target="_blank">l paesaggio italiano della rivoluzione industriale: crespi d'adda e schio</a></span></div>
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<span style="font-family: Verdana, sans-serif;"><a href="http://books.google.it/books/about/Edifici_moderni_in_Milano.html?id=im9MngEACAAJ&redir_esc=y" target="_blank">Edifici moderni in Milano</a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="background-color: black; color: white; font-family: Verdana, sans-serif;"><a href="http://books.google.it/books/about/La_soci%C3%A9t%C3%A9_post_industrielle.html?id=fUi3nQEACAAJ&redir_esc=y" style="line-height: 18px;" target="_blank">La société post-industrielle</a> </span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="background-color: black; color: white; font-family: Verdana, sans-serif; line-height: 18px;"><a href="http://books.google.it/books/about/L_architettura_di_sopravvivenza_Una_filo.html?id=bHP1nQEACAAJ&redir_esc=y" style="line-height: 18px;" target="_blank">L'architettura di sopravvivenza. Una filosofia della povertà</a></span></div>
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<a href="http://books.google.it/books/about/Constant_s_New_Babylon.html?id=L7P_IXPXt98C&redir_esc=y" style="font-family: Verdana, sans-serif;" target="_blank"><span class="fn"><span dir="ltr">Constant's New Babylon</span></span>: <span class="subtitle"><span dir="ltr">The Hyper-architecture of Desire</span></span></a></div>
<div style="text-align: center;">
<span style="background-color: black; color: white; font-family: Verdana, sans-serif;"><a href="http://books.google.it/books?id=e7SxAAAAIAAJ&hl=it&source=gbs_similarbooks" target="_blank"><span class="fn"><span dir="ltr">Quand la ville se défait</span></span>: <span class="subtitle"><span dir="ltr">Quelle politique face à la crise des banlieues ?</span></span></a></span></div>
<div style="text-align: center;">
<span style="background-color: black; color: white; font-family: Verdana, sans-serif;"><a href="http://books.google.it/books/about/Giovanni_Rota.html?id=6knrngEACAAJ&redir_esc=y" target="_blank"><span class="fn"><span dir="ltr">Giovanni Rota</span></span>: <span class="subtitle"><span dir="ltr">ingegnere e architetto, 1899-1969</span></span></a></span></div>
<br /></div>
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</span><br />
<img alt="" src="http://i151.photobucket.com/albums/s124/manuzuccarotta/barracopy-1.jpg" /></div>
manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0tag:blogger.com,1999:blog-3362588521376190076.post-76611320702816697112013-09-29T11:11:00.001+02:002016-02-26T10:03:17.720+01:00media lab<div align="left">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwIe4_XrEvH2LYcGTmHQQ7ozcqdtrDljFC3LSoD54YtdZMYjmKcNYXuWsYoqVLqTW0YepnPKIFUqxQhzMVBteWrXmu1o7MeRugY2W_gbi36ay2vvjRJllvddgEw1TTiPZeup5XvIa6s8FE/s1600/DSCN0823.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwIe4_XrEvH2LYcGTmHQQ7ozcqdtrDljFC3LSoD54YtdZMYjmKcNYXuWsYoqVLqTW0YepnPKIFUqxQhzMVBteWrXmu1o7MeRugY2W_gbi36ay2vvjRJllvddgEw1TTiPZeup5XvIa6s8FE/s320/DSCN0823.JPG" width="320" /></a></div>
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<b><span style="font-family: "courier new" , "courier" , monospace;">//SHOWS:</span></b></div>
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<b><span style="font-family: "courier new" , "courier" , monospace;">SETTEMBRE_ 14 Spazio Contarte, Vigevano </span></b></div>
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<b><span style="font-family: "courier new" , "courier" , monospace;">25 Ramada Plaza, Milano</span></b></div>
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<b><span style="font-family: "courier new" , "courier" , monospace;">OTTOBRE_ Fabbricone, Vigevano</span></b></div>
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<b><span style="font-family: "courier new" , "courier" , monospace;">NOVEMBRE_ Paratissima, Torino</span></b></div>
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<b><span style="font-family: "courier new" , "courier" , monospace;"><br /></span></b></div>
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<span style="font-family: courier new, courier, monospace;"><b>Un nuovo progetto audiovisivo interattivo.</b></span></div>
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<span style="font-family: courier new, courier, monospace;"><b>Il pubblico sarà chiamato ad interagire direttamente attraverso l'uso del display led, mentre disegno e forma grafica si uniranno al suono grazie all'utilizzo della Sketchbox di Angina Factory's triggerata e microfonata.</b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJodUxPIcXXsws4KkV9ASMydApmmNM9QaKByiibdZFmRHLI1s9vROrtAU9x3ZqUIaGDNfT_1Wy4TqrtpJryI-Anllou1CBLNzgJlQrKD2Jst4UnKKvMLS2vLZGiX0QkDRKxKS0OIfgmtqA/s1600/DSCN0854.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJodUxPIcXXsws4KkV9ASMydApmmNM9QaKByiibdZFmRHLI1s9vROrtAU9x3ZqUIaGDNfT_1Wy4TqrtpJryI-Anllou1CBLNzgJlQrKD2Jst4UnKKvMLS2vLZGiX0QkDRKxKS0OIfgmtqA/s320/DSCN0854.JPG" width="320" /></a></div>
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Manu: synth & programming</div>
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Alice: sketchbox</div>
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Giada: led display</div>
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manu zuccarottahttp://www.blogger.com/profile/01259427865843805698noreply@blogger.com0